MONSTER HOUSE by jaiskizzy

in a seemingly peaceful neighborhood there is a house, inhabited by a scary mean old man who terrorizes kids that step on his front lawn. dj is a kid who lives right across and he monitors everything that happens around the house. when his fat friend chowder's basketball ends up on the house's area of responsibility, they retrieve it only to come face to face with the gruesome geriatric ghoul himself... who suddenly has a heart attack and dies. soon, the house becomes haunted and not the way we all know haunted houses. seemingly possessed by the old man's ghost, the house roars to life with window eyes, wood plank teeth and a carpet tongue. who you gonna call? ghostbusters!

i really think that just about every kid, especially in my generation, had their own nebbercracker and their “adventure” stories to tell about him. there’s the old neighbor who owned a fruit tree and would come out with a shotgun if kids dared to climb it. (and then there’s that really bad one we usually see in the news, he who cant keep his hands to himself…) mine was my mother’s grumpy old father, but not as menacing as nebbercracker. that was eons ago, when he was still alive and strong, and me a young boy who still played in the dirt with my cousins. we weren’t really that afraid of him, making him mad was actually a bit of a laughing matter for us. remember those little firecrackers with string on either end that when you pulled them, the firecracker would go off? well, i tied one of those to the bathroom door while gramps was taking a bath and when he came out, boom! my cousins ratted me out and i got a good whacking then. anyways, the point of this flashback is that monster house is a movie that everyone can relate to, and it doesn’t just end with the villainous old man. take for example dj, damn i was that kid. all grown up but still treated like a baby. then there’s chowder, didn’t we all have that kind of friend at least once? and of course, pretty girl jenny, we all had (and still have) our jennies. that one girl you had the biggest crush on and gave you your first and subsequent pimples.

because of this, monster house is a refreshing take on the cgi genre. all we’ve seen recently are talking animals, talking cars, more talking animals, and talking ants (again?!). kids are eating up these movies like free candy and it was a brave move to take the path least treaded, the people behind monster house deserve kudos for that reason alone. and they came up with an animated movie that is almost real, where the kids acted like real kids, and the characters and situations mirrored the ones in our own lives. the only other movie i could compare this to is goonies, and that was live action. well, you know how most kiddie adventure movies are, kids are in trouble and the adults wont listen or believe them and so they face the perils themselves. a tried and tested formula put to good use the way we haven’t seen it. one different thing they did here was the person the kids turn to for guidance: a pizza guy named skull who has all the high scores in an arcade game. to them, he is the all-knowing one and the only one who would care about the sht they’re in. that’s some great writing if you ask me.

the voice acting was perfect. only ones i recognized were steve buscemi as nebbercracker and maggie gyllenhal as the babysitter, but that doesn’t mean the others weren’t great. because they were and they fit the roles like condoms. take for example pixar’s cars. cars don’t talk but after the movie, you might say that a talking car could sound like that. in monster house, dj and the rest of the characters sound exactly like they look and the way they would if you bumped into them in real life. and i need not even discuss how good the animation is, every cgi movie that comes out after the last one just ups the ante that im guessing there will be virtually no use for real actors in the near future (which i honestly hope never happens, at least not until jessica alba bares it all). for me, chowder seemed the most realistic of them. his movements were just… right. there’s a very noticeably big difference between a cartoony turn of the head and humanly real turn of the head. chowder, and the rest of the “cast”, had the latter. my only gripe about this movie are the unreal parts, like the inside of the house (the outside, i bought. but the inside was just too much. an uvula?!) and the unbelievable climactic end sequences. they should have retained the realism a bit more. good twist ending though. oh and if you pay attention, there are some good jokes in there that only an adult would get.

this movie was the brainchild of a guy fresh out of film school. good job dude. plus, he was backed up by the best in the business. robert zemeckis and steven spielberg? ‘nuff said.

the good: animation, story, and that freakin house.
the bad: the house’s interior and the over-the-top sequences.
the ugly: the old man’s wife.
the score: 8 bottles of urine.


home skiz home

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DEATH TRANCE by jaiskizzy

a samurai-lookin dude wrecks havoc in a temple and steals a mysterious coffin that carries a myth that it can grant wishes. soon a rumor spreads that a monster of a man is making rounds and killing off people, keeping the heads in a coffin, all the while accompanied by a child. later, a monk arrives at the temple and is sent by the archbishop to find the thief and bring the coffin back. he is given a sword with a handle that resembles a penis and cannot be unsheathed. from there it's fight after fight after fight. who is destined to pull the sword out of its scabbard? why it's entitled death trance, i'll never know. or care. japanese live action anime is the shiznit, baby!

i first used "live action and anime" together when i reviewed another japanese film in the past, casshern (click here if you want to read it). live actors performing anime-type action. in perfect execution. combined with anime-type shots and more or less the same kind of storytelling. well, i guess only the japanese can pull off something like that, anime is theirs anyways, because here's another example of that cinematic splendor. actually, most of the japanese action movies ive come across kinda utilize the same formula one way or another and i guess that's their trademark, same way that high flying kung fu is the trademark of chinses action films. what's the trademark of pinoy action movies? is it the rapid succession of punches to the stomach punctuated by a clap to the ears? the destruction of cars that were obviously taken from the junkyard? or the big warehouse final gunfight/brawl scene? doesnt matter anyways. i mean, there really hasnt been any decent (couldnt use good) pinoy action film recently. or has there been any action film at all?

anyhow, while our local action stars are busy trying to save their carrers on tv, the rest of the world just keeps getting better and better. like the emergence of tony jaa for instance. in japan, tak sakaguchi is one of the top action stars. i first saw him in the movie versus (a good one). death trance is the very much-awaited follow up to that movie, helmed by the same director. they basically have the same approach: most characters are nameless, tak is the best fighter, everyone wants him dead. in death trance however, tak is up against better opponents, worthy of his fighting skills. there's this one woman who kicks his ass, a couple of ninjas, and a group of zombies that fight back. then there's the final battle sequence where he's up against... a goddess. of destruction. cool eh? of course, there are also some characters who are on his side. well not actually allies, they're just drawn by the same purpose: the coffin. there's the monk, and then there's the little girl who resembles rin, sesshoumaru's sidekick in inuyasha. this little girl drinks blood instead of milk. oh yeah, steven seagal's son is there too and he's got a gun. and a sword. and a really stupid looking haircut which is an example of how those weird and cool anime haircuts would look like in real life.

dialgoue's kinda bad, costumes were good, the action, great. tak's fight scenes arent like the usual ones we see in other movies. nothing fancy or outrageous. he just gets it done, punching his way through, beating them with his stick (which turns out to be not just an ordinary stick). oh, and this is one of the few movies ive seen where the punches do connect. tak takes care of business with coolness and arrogance, he just knows he'll be the last man standing. and smiling. when he falls down, he just goes back right up, none of that dramatic slow-mo sht. steven seagal's son does clean house differently though. gun, sword, and at one point he even builds together a rocket launcher out of nowhere. which sorta puts the timeline in modern times right? but there are no buildings and no one's wearing a watch or using a cellphone. they're all dressed like it's the feudal era. must be post-apocalyptic japan. well, wherever or whenever that is, it's not a good idea to go walking alone in the woods if you cant fight, 'cause you aint goin nowhere.

when the end credits roll, tak is named grave although nobody ever calls him that in the movie. i guess the director felt names arent important in this kind of movie, you just remember the characters. unlike in many pinoy movies, the characters' names dont even fit the actor or actress. sheesh. anyways, death trance is a great film if you take it as it is. ask nothing more and you will be rewarded by bottomline mindless but fun dynamic entertainment. else, stay away and watch something like you are the one. eugh!

the good: the hits, the weapons, tak sakaguchi's coolness.
the bad: no back stories, no names, no plot.
the ugly: the throbbing penis sword. and the goddess of destruction didnt look much like a goddess.
the score: 8 chained up coffins.


skizziguchi

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NACHO LIBRE by jaiskizzy

the always funny jack black stars as ignacio, a friar/cook in a mexican orphanage who grew up dreaming of becoming a luchador and a luchador is one who participates in the mexican sport lucha libre. lucha libre is mexican wrestling. anyways, with the diminishing food supply, and the arrvial of the hot nun, sister encarnacion, ignacio steps up to finally fulfill his dream. with the help of esqueleto, he dons a costume and enters the lucha ring as nacho. despite getting their asses kicked, the twosome earn money and soon set their sights on the big leagues. will they succeed? will nacho bang the hot nun in steamy rough forbidden sex? will i stop asking these questions and get on with the review?



the first movie where i first recognized jack black's talents was high fidelity, a love story-ish film starring john cusack. i cant exactly remember his role but he was a record store clerk who had an extensive musically knowledge. i think it was kind of a gay role, not sure, but maybe it's because the only scene i can remember him in is him listening to walking on sunshine. i checked the internet movie database and goodness, this dude has been in a ton of movies before that, in less prominent roles. i'd have to watch some of them again (especially high fidelity. that was a good one) to seek him out. anyways, jack black was born to be funny. he has the face, the body, belly, the wit, the skills, and he uses these to deliver the funniness effectively. he's that friend of your who wouldnt mind making a fool out of himself just to make the group laugh. he made falling in love funny in shallow hal and made us wish he had been our grade school music teacher in school of rock. here in nacho libre, he makes churchlife seem fun, and the sport of lucha libre funny (it is taken seriously in mexico). he is the main man of laughs in this film, (esqueleto failed to impress me) with one exception: that monk who said he'd been having diarrhea because of the food ignacio serves. the line, the way it was said, and the context, made me laugh out loud. the rest is all jack black, almost every scene he's in and every line he says is hilarious. his in-ring antics were classic, how can a fat guy like him be so agile? but my favorite ones were his impromptu songs. jack black's other talent is music, his next movie is a semi-bio about his band, tenacious d (their songs are awesome: fck her gently, tribute, and the skit inward singin). anyways, as jack lets loose a bit of that musical genius in a couple of songs, one began about his turn to sing and then sequed to ramses, the greatest luchador in the world, the other dedicated to his love interest, encarnacion. both were darn funny and jack black golden (complete with self-instrumenation), but encarnacion was my favorite. made me laugh so hard, with "i eat bugs,i eat grass, with my hand i wipe my... tears" and then "encarnacion! encarnacion!". never thought a name like that can be funny.

did you notice i said "almost every scene"? blame the director jared hess for making me say almost. he did the same thing with napoleon dynamite. not all the jokes and gags work. like a mango tree, not all the mangoes you're gonna get would suit your taste. there'll be big sweet ones (or sour, if you prefer), some ordinary ones, and then there are those that are cracked open and rotten. there were quite a lot of rottens in napoleon dynamite (for me, i guess. lots of other people worship every frame of that film), and a few in nacho. these particular scenes resemble those in pinoy comedy flicks: planned rescue blows when ignacio mistakes two bystanders as the hired brawlers, the training scenes, and the old and tired "nyeh!". bad choices, mr. hess.



jared hess should be immensely grateful for having jack black on board. he pulled this film together like that scene where he is in his recreational clothes and he clinches his butt. surrounded by mundane characters, this was a one-man show. i also liked how he punctuates any references to lucha libre with a glorified look on his face, you know like the one i'd wear if i saw jennifer love hewitt's boobs in person. and who would take a romantic walk with a woman he's attracted to and then stop near a wall and do a one-knee-bent pose to impress her? only jack black. a walking tub of lard and laughs. the same cannot be said for his sidekick, esqueleto. he's just not funny. the big grins, the screams, failed attempts at being funny. horrible. he is no match for napoleon dynamite's partner, pedro. the fat kid, chancho, did a better job. and then there is that sweet sexy senorita, sister encarnacion. there should be a bible passage somewhere that prohibits nuns being this hot and dimpled because more sins would just be committed at the sight of her. kneeling. hands clasped near her lips (thunder!). anways, she looks a lot like penelope cruz (prettier, imho) with a pinch of winona rider. she gave a great performance of just being hot.



this movie, like many, is in a "hit or miss" zone. on one side, there's the people who would enjoy it to the bone, and there's the uptight ones who'd say they wasted their money. it's a hit for me, i'd watch anything with jack black in it (or will ferrell. or better yet, jack black and will ferrell!!) because he is the one of the few jesters left in this business that can really make us laugh with the least amount of effort. he did his magic here and made it as funny as it is. here's to more comedies, jack!

the good: jack black. and the hot nun (bless me father for i have sinned...)
the bad: esqueleto's "trying hard"-ness. pinoy-ish comedy.
the ugly: them hairy midgets.
the score: 7 corns on sticks.


skizzo libra

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THE BREAK-UP by jaiskizzy

after meeting at a baseball game, a tour guide dude and rachel, from friends, fall madly in love with each other, and live in a condo together, seemingly inseparable. but then one night, through an argument over lemons, the artsy girlfriend calls it quits with her video-game-loving boyfriend. both parties, however, refuse to leave the condo, and they start throwing sht at each other (figuratively, of course, but what a sight it would have been if it wasn’t, eh?) to determine who’ll fold up first and make amends. who will win this war? hang on to your lover’s hair ‘cause some of the stuff you’ll see will be familiar.

let’s face it, love’s a killer. sure it’s a good thing, it inspires you, makes you feel high and all, but you’re putting so much at stake, it’s a disaster when it goes bad. they called it “falling” in love for good reason. it’s a risk to take that path: either someone catches you or you end up in pieces at the bottom. and even if somebody did catch you, you know there’s still a slim chance they just might throw you over again. i know because i’ve had four ex-girlfriends, and each one of them i thought, she was the one. anyways, this movie has a lot of truth in it. it begins with pictures of vince vaughn and jennifer aniston kissing, having fun with friends, kissing, going to places, and… kissing. just what all couples in love have. awww sweetness… well, some good things must come to an end because what other thing do all couple have? fights (seriously if you’ve honestly never had a fight with your significant other over anything, you’re lying). and like most fights we all have, this one is just as stupid: vince bought 3 apples when jennifer asked him to buy 12. they shout, say things they’d regret later, things get out of hand, boom. the movie’s title. the movie, however, i think is not about who was right or wrong. it’s about the consequences, the aftermath of the break-up, and choices they made, which, even though meant for laughs, was making it all worse. jennifer goes on dating other guys, vince invites some strippers over, stuff we all would have done as well given that situation despite having knowledge that it’s wrong. that’s how very faithful to life this film is and im pretty sure anyone who watches this will have one or two realizations.

im not gonna go and ruin the ending for those who haven’t seen it. well, there really isn’t any ending to ruin because it does not matter how it ends. only two things can happen after a break-up: one, you go your separate ways and either forget about each other or be friends; and two, you get back together. anyways, you probably wouldn’t like how this movie ends, but i guess that’s an intended reaction. it shows you what happens if you do this or that. i think the ending’s just right.

i apologize if im making this sound more like a love doctor’s lecture than a movie review. apart from its genuine representation of relationships, there’s zero else worth noting. this film is mostly vince vaughn, i guess the writer was male. he did well in his role, give and take pretty much how we all men are. lazy, insensitive, stubborn. vince vaughn was a good choice, words that come out from his mouth are some of the words that stay in my head. im sure some of that weren’t in the script. now i cant say the same for jennifer aniston. she’s still rachel to me. she really oughta something about it, take on a role like charlize theron in monster and maybe she can shake off that “friends”-style of acting and show her versatility. else, i, and others who have seen her wear the princes leia costume for ross, would never get the chance to take her seriously (but a round of applause for that walking-around-naked scene).

overall, there’s just not enough laughs to consider this film a comedy. it’s more like a bad but convincing reality tv show episode. except that it’s not real. anyways, i think only those in a solid, strong relationship can survive watching this. if you’re having a tough time with your pardner, stay away, this won’t help. instead, just get porn.

the good: the arguments, how most couples would relate to it, and jennifer aniston’s ass.
the bad: flat minor characters, and inadequate humor.
the ugly: the tone rangers. and marilyn dean. ugh.
the score: 5 lemons.


jai

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PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST by jaiskizzy

the gist: in this swashbucklin sequel to the curse of the black pearl, the talented mr. johnny depp returns as the peculiar pirate and antihero of the high seas, jack sparrow. pardon me... captain jack sparrow. legolas/will turner and his hottie wife-to-be, keira knightley, are need to find him to save their necks from the gallows, he, on the other hand is looking for a key which would open a chest, the contents of which will help him settle his debt of death to the dreadful davy jones. will the captain succeed in salvaging his soul? will will (tee-hee!) turner and his feisty fiancee do some pleasurable pirate pumping? (mickey says nope!) oh well... avast, landlubbers! wacko captain jacko is backo.

the reaction: the only other pirate movie i saw before this and after the first one is a porn flick entitled pirates. yes, you read that right. porn. but clear your head of the cheesy nonsense pre-sex situations and equally cheesy nonsense dialogue because pirates was actually a very good movie. it had great special effects. it had a story. it had set designs. it had costumes. and yes it had hardcore sex, but the point is that it looked like a hollywood-made film, leaping miles beyond b-movie territory. bottomline: if a porn company can come up with something like that, what more can hollywood do right? well, years ago, the curse of the black pearl became a surprise hit as nobody thought that a movie based on a disneyland theme park ride and made by kid-friendly disney would do well in the box office. it surpassed expectations and left the fans wanting more. turns out it's actually a trilogy, and here came part 2. is dead man's chest as good as its predecessor? nah... it's better! the first one was a fresh fun frolicky flick on a subject none of us havent seen in decades: pirates (hook was about peter pan, mostly). it introduced us to captain jack sparrow, will turner, and elizabeth swann, and now they've taken these three persons (and some small players) and put them in an all-new adventure, against the usual way of sequels showing pretty much the same from the original, comparable to the equally entertaining indiana jones movies.

dead man's chest begins with a woman's chest, keira knightley under the rain, and from there we are taken on a wild roller coaster-y ride, and i think exactly a roller coaster ride because the movie kinda starts off slow (this is for non-watchers of the first movie to get to know the characters), much like the long queue you go through before you actually get strapped onto the cars. however, i was never bored with any of the non-action scenes and though that it was a proper re-introduction, especially with captain jack sparrow and his count of monte cristo-inspired entrance (note that gun he aptly brandishes in the posters). once that is done, the movie picks up the pace and kicks off the endless fun. like the first one, this may be an action-adventure movie but it never takes itself seriously, and ultimately triumphs as a comedy. but dont expect the laugh-out-loud balls-to-the-floor type. the movie is about silly fun and that's the kind of fun-ny you will get. i had the most laughs for the sequences in the cannibal tribe island. cannibalism has never been as hilarious. even the serious character of will turner takes part in the hilarity. but of course, when it comes to fun, the captain is your prime pirate. also, if you pay attention to the dialogue, there'll be lots of jokes and innuendos to giggle at.

dead man's chest does not let one down on the awe aspect as well. i enjoyed all the action sequences a lot, the three-way swordfight was great from start to finish. the special effects were awesome, so awesome that in some parts, it's hard to tell which are real and which are cgi. of course, the magnificent monster of mayhem, the kraken, is obviously cgi but all of its scenes were terrific. but davy jones wins the best cgi prize on this one. this octopus-faced villain was so well-done, some kid's gonna have nightmares about him. those tentacles are so life-like, always squirming about, and davy jones even uses them as extra limbs to hold things and play the piano (as opposed to the low budget medusa effect of darna's nemesis, valentina, using eels. the nerve these morons claim that they're at par with hollywood standards! spit!). great character design and great translation on the screen. also, one memorable scene for me is when the flying dutchman, davy jones' sinister skeletal ship, submerges into the ocean with and over-the-shoulder camera angle on an unflinching davy jones. neato!

the actors get the largest portion of kudos, and the versatile mr. johnny depp takes most of it, being the genius behind captain jack sparrow. instead of giving us the cliche cutthroat pirate performance, he opted for an eccentric swaggerring almost gay-like interpretation, loosely based on the rolling stones guitarist keith richards, at least according to the depp (keith richards will play captain jack sparrow's father in part 3). and just like in part 1, the depp carried the whole film, owning every scene he appears in. of course, legolas and keira "amidala decoy" knightley were just as great with their respective roles, orlando, keeping his will turner as the calculated commanding hero against the happy-go-lucky wing-it captain jack sparrow, and keira being pouty and spunky and yummy like most girlfriends are. i wouldnt have cared if she didnt have any lines. she did a naked vanity fair cover. she's hot. the rest of the minor characters did well too, biggs was good and so is the inclusion of bald headed fatso and guy with a wooden eye, but i cant help but notice that the beckett guy was sort of doing a captain jack sparrow thing with his role. and who would forget bill nighy as davy jones, yes there was a real actor behind that cgi, the dude who played the rude old rockstar in love actually and sang "christmas is all around me", and viktor in underworlds 1 & 2. the voicing was just perfect. overall, a cast of champions.

the conclusion: shiver me timbers! a well-done follow-up movie to a seemingly hard to follow-up movie (i hope you understood that). the figures agree: dead man's chest took the record from spider-man for being the highest grossing film on its opening weekend (spidey=114.8 million; captain jack=$132 million). a cult series in the making, im sure that disney will find it difficult to turn a blind eye to the fans after part 3 arrives and proves to be a splash hit as well. if disney makes the right decisions, i strongly believe that the pirates of the caribbean franchise can do to the sea what star wars did to space. arrr!

the good: the special effects, the comedy, and captain jack sparrow.
the bad: some incomprehensible pirate language, and the slightly uneven pace.
the ugly: davy jones's crew.
the verdict: 8 compasses that do not point north.


captain jai skizzo

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SUPERMAN RETURNS by jaiskizzy

it has been five years since superman disappeared from the face of the earth just like that (snap!). the world has moved on with him, and so has lois lane, who is now with a child and a new man in her life. and just like that (snap!) the big blue boy scout returns and catches up on the things he missed. meanwhile, the evil lex luthor has another evil scheme up his evil sleeve: use the crystals he found in superman's fortress of solitude to make a new kryptonian continent right next to america. will he succeed or will our formidable flying friend foil the foul fiendish foe's felony? fee-fi-fo-fum!

first, i am angered that they did not show us the spider-man 3 teaser trailer. it was supposed to be included in all prints of superman returns, and i so expected to see it in the theater but alas! some morons decided not to release it just yet. what? they gonna show it in front of some stupid pinoy teen love team flick? curses! disappointed, i went to apple.com and watched the trailer there and thanks to the goosebumps, i am now okay.

so there i was with layla, lying on our lazy-boy seats, finishing our popcorn and drinks before the movie started. then the lights went out, spider-man was a no show, and then... superman returned. as kyrpton exploded and the credits rolled (or flashed, like the opening credits of superman 1, props to that!), i repeated in my head a pre-movie mantra i think every comic book geek knows: please, don't suck... please, don't suck... please, don't suck...

well, it didnt suck. it... sipped (i hope you get it).

as a kid, when i first saw superman the movie in betamax, i thought it was the most amazing thing i have ever seen in my entire life. holy hummingbirds, that man can fly! fast forward to the present, it is only understandable for a fanboy like me to expect as much. but i read a couple of not so good reviews, and i forced myself to lower my expectations. now those were met. the rest, misfired. i believe that it is bryan singer's fault, that he was given too much freedom with the material, and that he wanted to pay homage to the original too much that he made a movie that had personality issues. wait, folks. dont crucify me yet. i liked the movie. i feel i got my money's worth. but it needs improvement. it has more flaws than i thought it would have.

now before i delve into the details of what worked and what didnt in superman returns, i must warn you that i will be treading in spoilersville. actually, to me, this review is spoiler-free. i mean, what is there to spoil? it's superman versus lex, superman will obviously win and save the day. plus, there's the love story and we all know where that's going, so technically, no spoilers. but for goodness' sake, if you havent watched the movie, i would recommend that you stop reading this right now and just come back here when you've seen it. thanks.

passionately honoring the superman legend and choosing to follow the continuity of superman 2 was both a hit and miss for bryan singer and co. sure, he had to show his love for the superman mythos and do this as a tribute to those who went before him, but this only makes superman returns less original, seeming like more of a remake (of superman 1) than a sequel. some of it where cool though, like retaining the silly but iconic cowlick, and the one photograph of superman carrying a car above him which is exactly like the action comics #1 cover where superman first appeared. i did like the superman and lois flying scene a bit (which they already did in superman 1) because this one was done in a different context and how this used the same theme that played in the original. (layla questioned what the flying scene was for, to which i replied that in superman 2, superman erased lois lane's memory of her knowledge that clark kent is superman and who knows what else was deleted. and besides, if i was superman, id take her flying everyday!). and while im on the subject of flight, the flying effects were okay but having scene all of this in matrix reloaded and revolutions, it wasnt anytything new.

i didnt like the idea of superman just leaving like that without saying au revoir to search for kryptonian answers and then come home with nothing. they should have at least made him find something, no matter how insignificant, or or maybe something found him, so that at least his 5 year-absence was a total waste of time. it's also awkward how his return was just accepted like air by everyone, except lois, and as clark kent he just goes back to work like he just took a day off. the coincidence of superman and clark being gone at the same time and returning at the same time wasnt even touched. only one scene sniffs at this suspicious subject: lois lane and her husband-to-be compare superman's stats with clark's but they dismiss it with a nerdy wave from clark. a weak scene, would've have been better if clark clumnsily toppled a pen holder or a pile of papers instead. superman returns scores low on humor. not much in the drama department either, so leave your box of tissues at home (in superman 1 i fought tears from fallin when jonathan kent died and clark said that he couldnt even save him despite all his powers. classic). i guess bryan singer needs to work on his tearjerking.

what i do think bryano is quite good at is finding untapped talent. he gave us hugh jackman with wolverine, now he's got brandon routh. when i first saw this guy in a few online pics as clark kent, he had a slight resemblance to the late christopher reeve. in the movie, not only does he look a bit like chris, he sounds very much like him as well, especially in clark kent move. he was great as clark kent, but kinda lacked the simpleton-ness that chris conveyed. he also did good as superman (the resemblance ends with clark kent), but still needs to work on the level of respect that chris's superman demanded. and is it me, or doesnt the way he flies looks kinda awkward? (this is evident in the pre-end credits flight scene where brandon flies and smiles to the camera the same manner it was done by chris in the 4 superman films. im sure that if you played those scenes side by side, you'd notice the difference.) i also think he needs to practice "pain" acting more. tom welling seemed better at this. overall, mr routh was a good choice for this role. another good choice which really surprised me was kate bosworth. i initally thought she was a miscast, considering her previous roles (a babe in rules of attraction, a surfer chick in blue crush), and how she didnt look like the lois lane type. but lick my loins, what a great performance by miss bosworth. great as reporter lois, great as mommy lois, and great as you-left-and-i-moved-on lois. would have been better with a pinch of margot kidder's quirkiness, the role was kinda too serious, but that's just me. photo-junkie jimmy olsen was good, and so was perry white, although i wonder what it would have been like if hugh laurie (house) got the role. the inclusion of cyclops was okay too, a good guy instead of being "she's mine" psychotic. it was also nice to see that the kid didnt do any haley joel osment or dakota fanning all-out acting (watch out for the piano scene). also, the little screen time that martha kent had was effective, especially in her last scene, looking up at the hospital because she cant go in or else she blows superman's cover. which finally brings us to the role of lex luthor. hmm. ive always like kevin spacey as an actor, he was great in the usual suspects (also by b.s.), k-pax, american beauty, the life of david gale etc. here, he wasnt great. not even good, imho. i prefer the lex luthor portrayal of gene hackman, and im sure kevin spacey used that as inspiration and mixed it with his own, which led to a mad, unconvincing lex. gene hackman's lex was arrogant and rude and funny, repetitively proclaiming that he is the greatest criminal mind of the century, and casually dealing with three powerful kryptonian villains. kevin spacey's lex just comes off as a 2-dimensional power-hungry mastermind. i do however have sort of absorbed his "billions!" and "wroonnngg!!!" lines, so i guess he managed to squeeze in a good one. and then there's lex's neanderthal minions, one who looks like will ferrell and another who looks like adrien brody, who were pretty useless, and i couldnt see why they had to cast kumar from harold & kumar go to white castle, in an equally useless, yes-sir role. kitty was great though, enjoyed her car with no breaks scene, but she is no ms. teschmacher.

now about the costume... it was fine with me. they had to do some changes, okay. the s became smaller, okay. there's an s on the belt and no s on the cape, okay. keyword: acceptance. but i think the colors were kinda dull. when the s shield is displayed in the opening credits, it was shiny and vibrant. why then did they have a different color scheme with the costume? because... the shield would look dull if they used the costume colors. sheesh. and then there is superman's boots. or, more appropriately, his "combat" boots. looked like they were designed by skechers. very out of place with superman's sleek suit. and by the way, they really schould start tackling the science behind the costume. if bullets ricocheting off of it dont leave a scratch, how come a human doctor was able to rip it off so easily?

all in all, i think this was a good "reintroduction" movie. im sure some would get blown away by the airplane resuce sequence. it was good scene, but i thought it needed more oomph, as this movie needed more action than just superman carrying stuff. heat vision was used well here, i particularly liked the sheet that superman made to disintegrate the falling debris. after several paragraphs, i still havent said enough about this movie. there many other things to like and love, to hate and hiss at. maybe it was just that we expected too much after taking so long for the movie to arrive at the silvescreen. remember, it could have been worse: nicholas cage was once cast as superman and one producer wanted to make some "gay" changes. clearly, bryan singer wasnt able to perform the magic he did with xmen 1 & 2 but was able to put on a good show for fans and non-fans alike. and hey, it's superman, dude! that man can fly!

the good: homages, acting, and that one scene where superman bathes in the sun's rays!
the bad: lex, costume, having nothing new.
the ugly: the borrowed scenes from spider-man (run jump run) and james bond (you'll see... well, only if you saw goldeneye).
the verdict: 7 kryptonite shards.

superskizzy.

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LE PARFUM DE LA DAME EN NOIR by jaiskizzy

ist: a great magician dies and the widow, the titular lady in black, remarries. the newlyweds spend their honeymoon on a nice little house, home to a handful of peculiar people. one of the guests suspects that the magician is dead which makes the lady in black the lady in danger. he and his bumbling sidekick must put their heads together to solve this mystery and unmask the crook amongst the other guests. guided by subtitles! yay.

a classic example of the film ingenuity of the french. you’ll never see a pinoy movie like this (unless some wacko plagiarizes it). the core of this film is its unconventional humor, it’s funny, quirky, and amazingly light, despite dealing with danger and death. weird that it’s almost magical how something serious is being discussed and then the zealous hostess would suddenly cut the tension with “let’s eat!” which instead of being annoying makes you laugh a bit. there’s just too many ridiculously funny scenes to enumerate, but one of my favorites would be the two guys hiding in a well each with a periscope to spy around them (im pretty sure you have no idea what im talking about. it’s just one of those “have to see” things). normally it would have been corny in another movie but here it just wasn’t. it perfectly jived with the tender tickle tone of the film. another favorite would be the solar submarine sequence, again a seemingly out-of-place idea but integral to the story.

hsuck me sideways if i knew who the director was, but whoever he is, he did quite a job here, there were some great camera shots (thumbs up to flashback scene in the school hallway) and fine scene “choreography”, like when one character retells an event in his point of view, we see the exact same scene that was previously shown but in a different perspective. only a few movies got this to work. another reason why this movie is such a bundle of enjoyment is its characters, all of them colorful and full of life, each with their eccentricities. for me, the best of the bunch is the dude who played sainclair, who looks so much like alan cummings. he has sort of a charlie chaplin aura with him and a teensy bit of gayness. sainclair is one funny chap and most of the time not on purpose. he steals every scene he is in. so he’s kind of like a speaking charlie chaplin. minus the slapsticks. one very notable scene has sainclair hiding in a workshop trying to stay quiet but instead causes more ruckus that results into a domino effect/chain reaction of the objects inside.

an unusual film with an unusual plot and unusual characters. needless to say, i had an unusually good time.

the good: the storytelling style, the characters, the humor.
the bad: a french film with no nudity?!? minus points!
the ugly: honestly... the lady in black.
the verdict: 7 detachable periscopes

le skizzeur.

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INSIDE MAN by jaiskizzy

it's a fine sunny business day in manhattan, so how about... a bank robbery? clive owen et. al. had just that in mind. masked, armed, and calculated, they turn the bank into a fortress and hold the people inside as hostages. enter denzel washington with big willy and the twins to match wits with the crooks and make sense out of this seemingly well-planned crime. enter jodie foster with a corporate smile on her face and a hidden agenda in her, um... hiding place (hey that one rhymes!). take a puff. it's a spike lee joint!

spoiler clue: inside man. the title says it all. anyways, this movie wasnt actually on my list of must-sees. not that i dont think it would be good, it just went under the radar and would have went right past me if layla hadn't wanted to watch it only because she's having an affair with clive owen (albeit an imaginary one). turns out it was a good thing i didnt decide to just stay home and ponder. because this film was beautiful. well, so was my companion, but this film was filmly beautiful. although ive had knowledge of the directorial existence of spike lee, ive never been really familiar with his movies. i heard they were good. now i have proof that they are. inside man was presented with a very personal feel. the exchanges between characters looked authentic and the shots were almost p.o.v., as if you were there watching the events unfold or eavesdropping on the conversations. you even see scenes like the unrolling of the police tape, something you dont see in most movies with a similar theme (that thing about the trains was very realistic) i also like the way spikey chose to inter-cut the present events with future interrogations with the hostages inside the bank who obviously survived. this helped increase the mystery aroma of the movie. lets you put together the puzzle piece by piece but not in a whodunit detective story way. do not expect any big scenes though. like i said, this is a very personal and very human movie. this may be a bank robbery movie but there are no car chases or bullet-ridden encounters here, no sir. (i wonder, however, why heist/hostage taking movies always happen near a diner...)

this film could be used as a visual aid in an acting class. the powerhouse cast performed at top-level calibre in their respective roles. despite zero drama moments. denzel washington was unbelievable. that dude can act. else, he's like that in real life. every word he let go and every expresion he wore, real like the hair on my knuckles. he never goes over the top or makes a hero's one-liners. just calm, casual, and cool. clive owen is equally great, considering he had to act behind a mask most of the time. i think it was primarily his vocals that gave the attitude his character needed. closing the triangle is jodie foster in a very easily but well done role. this trio held the film together and i doubt that the movie would have worked the way it did if it werent for them. also, in a small but effective part was the green goblin himself. and then there's a girl and her nice cleavage that needed no acting. bra-vo.

i am a volleyball and i just got spike leed.

the good: good directing. fine acting
the bad: a lil predictable. or was that deliberate?
the ugly: denzel on a segway shot.
the verdict: 8 bugged pizza box lid lifers.

detective skizzy.

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CARS by jaiskizzy

"i am speed... i eat losers for breakfast." goes the pre-race mantra of lightning mcqueen, an arrogant rookie race car all eyes on the prize: win the piston cup and be dinoco's new endorser. on his way to california for the finals after a triple tie, lightning gets lost and ends up at the forgotten little town of radiator springs where he destroys the main road on his arrival. he is sentenced to community service and is prohibited from speeding away until fix the road. soon he makes new and learns a few important lessons in life, like tractor tipping. will he get to california in time to make the audience weep with a dramatic moment, i mean, win the race?! ka-chow!

as a fan of pixar animated features, with a special lil fondness for the shorties, i have been anticipating this follow-up to the incredibles. on the other hand, layla's primary reason to see this one is because it is was born out of apple. so, she and i headed to eastwood and watched it with about a hundred fairly well-behaved kids (thank heavens). and who better to judge if this film works than these mini men and women? based on their reactions, cars definitely scored high. they bought all the lil jokes, laughed at the hillbilly tow truck, mater, and fell silent at the right moments (one proof that this movie isnt heavy for their noggins to comprehend: lightning discovers doc hudson's true identity when he finds a familiar object in doc's house (garage), to which a kid who was paying attention exclaimed: "piston cup!"). i myself found... uh, myself, chuckling at some of the jokes and losing it at a few (which seemed meant only for the adults to understand, like, lightning says "piston cup." and then mater retorts "he did what in his cup!?"). but the scenes that really reached out and tickled everyone funny boner are the car "spoof" of pixar movies: toy car story (you're a toy... car1), monster trucks inc., and a bug's life, voiced by the original actors. this wittiness was probably what made this animated film appealing to both kids and adults, and i think i blinked too many times and missed out some of the small ones (some of the ones i didnt miss: "braking news", "i auto be in pictures", and jay limo). and there are still lots more to enjoy.

anyways, owen wilson voiced lightning mcqueen well. he was able to channel a distinct personality to the car, as if you are actually watching him do the gun gesture when he does the ka-chow. paul newman as doc hudson hornet was very believable as well. but it was larry the cable guy/mater who brought the garage(house) down. well, not that much, i wouldnt say he stole the show as some would. he just excelled as the film's main comic relief, and im pretty sure we'll be hearing from him or seeing him more in future projects (git-r-done!). other cars i really liked were the hippie volkswagen van fillmore (he has a license plate goatee, plays jimi hendrix' rendition of star-spangled banner in the morning, and offers homemade "organic" fuel), and guido the italian forklift who only knows one english word: pitstop (his pitstop debut was hilarious). the cgi was topnotch pixar, great car designs (although as an adult, i thought they were a tad too cartoony and flexible), awesome landscapes, and supa-fine lighting effects (the reflections on the cars' shiny exterior were amazing). plus it has michael schumacher as a ferrari. coolness.

yet another pixar classic. great kids movie that kids of all ages and all kids at heart will have a blast with, although in varying levels. not the best in the timeline, but worthy of the legacy nonetheless. definitely demands a second viewing. here's to ratatouille!

the good: the cars, the humor.
the bad: how come there were no kid cars?
the ugly: the rust-eze cars.
the verdict: 8 white wall tires.

skizmacher.

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THE OMEN by jaiskizzy

gist: in this updated version of a classic, julia stiles and a dude who resembles one of my high school friends (topaquits!!) are the oblivious parents of the devil’s son whom they have aptly named damien. some sinister shit starts spreading as the path to power is paved for the prince. a priest preaches prophecies, papa ponders, peter piper picked a peck of pickled pepper!

not a good film. okay. but not good. that is, on its own. but if you’d compare it to the original, it plummets down to crap territory. mostly, it was faithful to the original, but the things they changed though didnt work. i remember how creepy the old omen had been and how this remake wasnt (or maybe because i was just a kid then). this one felt like watching a long episode of csi miami, with csi (las vegas) as the original omen. well... yes, it kept me awake. yes the impaling was cool, and the decapitation even cooler. yes there was one suspenseful scene involving an air bubble and a startler involving snow. but beyond that? close, but no cuban. i actually had a hard time completing the summary above, because sentence number one was the only solid definition for this movie. everything else that followed and surrounded that concept seemed like random stuff thrown in for padding, like cotton to a flat-chested girl’s bra. sure, they contribute to the idea that this boy is satan’s offspring sent to give the earth a beating, but they don’t really form a concrete mold to hold a well-structured story together. anyways, three-quarters into the movie, i already had thought of a nice way to review this film. as a tribute to the apparent collapse of the julia stiles’ career (what happened to you, girl?!) i present to you…

10 things i hate about the omen 1. julia stiles. she looks fat and old. 2. damien. looked scary in the trailers. acted scary in the movie. 3. the red stuff. too forced. 4. clues to the death. a la final destination. 5. the nanny. too obvious. i would have fired her at once. 6. the dogs. could have been scarier. 7. the men in the gorilla suits. sheesh. 8. scaring the audience with sound volume. 9. cheapo video editing. 10. the predictable, no build-up, “that’s it?” ending.

plus there was no clear indication if damien born on 6/6/6 or the events begin in 6/6/6. because if damien was born in 6/6/6, then the movie happens in 2012, and it doesn’t look like 2012 at all. one more thing, whatever magical thing killed the other players, why didn’t it kill damien’s dad? tsk. tsk. tsk. a very very defective movie. obvious rushed to meet the 6/6/6 deadline. tsk.

the good: the impaling and the seamless decapitation.
the bad: refer to the list.
the ugly: the toothbrush commercial scene. ugh.
the verdict: 6(66) red balloons. (3 if compared to the original)

jai albert omen or the owen.

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KISSKISS BANGBANG by jaiskizzy

a twist of fate puts harry, a small-time thief, in an acting audition and faster than post-pee tapping lands him on the lap of los angeles california, in a party where he meets a gay detective called gay perry, and sees his promiscuous high school crush, harmony, getting felt up by a stranger while she sleeps on a table. the three of them are then sucked into a murder conspiracy while i ate beef tapa that felt and tasted like plastic.

is robert downey jr. gay? because if he isn't, then he better undergo some masculinity restoration program because he is definitely sending out gay signs in his role here eventhough his character, harry, is 100% male and boners up when snuggling with harmony. i don't know, it was just kind of annoying and made it hard for me to relate to harry. val kilmer, on the other hand portrayed his gay perry role very well. refined and held back, the kind of homosexual i wouldnt have a problem being around with (except for the kissing part) because the only thing i hate more than vegetables are loud and proud gay people. anyways, thank goodness there was a pretty stunning girl named michelle monaghan to cancel out all of this gayness. she's kind of like an l.a. lolita, she's an aspiring actress who's only claim to fame is a beer/bear commercial and she's probably slept with more men than you could ever invite into your stag party. still, she was purty hot.

this movie is so fast-paced, scenes just snap one after another, it would seem that the book this was based on was no more than 100 pages long. a lot of things happen in this film, and despite a few being a bit far-fetched, i enjoyed almost all of them (except for the kissing part). these scenes are accompanied by some smart and funny dialogue, especially the ones that went between harry and gay perry. one good line was val kilmer's after he bitch-slaps harmony's father: "big tough guy." three words that represented a paragraph of explanation. now that's some swell writing. another aspect that makes this movie so entertaining is the narration by harry, one of the best movie narrations in my opinion, to the point that i believe robert downey jr narrated better than he acted (he even pauses and rewinds the film when he forgets to tell something). i dug the groovy cartoon opening credits. kudos go to the director, who gave this movie a fresh book-ish pulp-ish look. oh and by the way, if you are a guy, dont make "i will survive" your ringtone...

highly entertaining despite the lack of over-the-top sequences and super special effects or the not talky, artsy-fartsy philosophical/social/moral/spiritual messages.

the good: the narration, visual style, harmony.
the bad: the gayness. ugh
the ugly: the kissing part.
the verdict: 7 johnny gossamer novels.

skizz skizz, bang bang.

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THE DA VINCI CODE by jaiskizzy

the very naked dead body of an old man is found in the louvre. jean reno, the professional, is on the case and his primary suspect is forrest gump who is sporting a bad haircut. suddenlt amelie appears and tells mr. gump that this aint no ordinary murder. together, they embark on a puzzle-laden adventure to solve the mystery about the church's best kept secret, which has something to do with the priory of sion, the holy grail, and jesus banging mary magdalene. hot on their heels is an albino sith apprentice named silas who likes to hurt people and himself. so... run, forrest, run!

with the hype that surrounded dan brown's book, a movie adaptation was inevitable. despite the hype, which i believe was, and is still, too much, i have not read a single sentence inside that book (eventhough i have it in ebook form). probably part of the reason is how those people who have finished the book yap about it so much and feel like they are the smartest being on earth. maybe in the far future when the hype has died down. anyways, equally hyped to the most annoying levels is this movie. and after watching it with zero expectations and uninfluenced by negative reviews, i scratched my head and wondered what the fuss was about. although based on real facts, this is an obvious work of fiction and anyone who'd take it seriously is a moron (and what the heck is the problem if jesus was human and not god? arent his teachings the only things that should matter?!). this is simply three hours of boring talk about what ifs. the puzzles didnt even carry any weight. the plots of indiana jones 1 and 3 also had religious themes but that's a gargantuan load of fun compared to this. and both didnt even need flashbacks to explain stuff. heck, even national treasure is great compared this. the problem of this film is its lack of excitement. id take all the talk you need, but i need some thrills to boost me out of dozing off. the only discourse that entertained me was between langdon and magneto, fresh from his demise in x-men 3, as he is now a crippled geek. sir ian mckellen's performance was the sole saviour of this film, his orgasmic joy upon seeing the crypt text was so genuine.

who played geoffrey chaucer in a knight's tale, although he really needed more creepiness. they should have made him more shadowy and "ghost"-like (there should have been more scenes like when he grabbed langdon's neck in mid-speech). jean reno's fache character required tweaking as well, as it seems it was written exactly for him. then there are the two leads, one of the worst acting couples to a movie. tom hanks's robert langdon was flat and wasnt as dynamic as a hero characters are supposed to be, and the added claustrophobia didnt help 3-dimensionalize him at all. and what the hell happened to you audrey tatou?!? well, i guess this was a case of miscasting because she's a really great non-mainstream actress. she just didnt fit sophie's shoes. the only time i thought she acted well was in magneto's private plane where she was scolding silas. and by the way, if sophie was such an important person, why would her grandfather just let her run away like that? ending was predictable.

i guess it was a bad decision to get ron howard to direct this film. but the fault isnt entirely his alone. the script should have undergone a dozen more drafts. this movie felt like a lecture on a very interesting topic that you wouldnt want to miss. then when you attend it, the lecturer just goes reading a book verbatim aided by dull powerpoint slides. im sure id have hated this movie more if id read the book. but other than a couple of good points, very disappointing and boring.

the good: silas, teabing, subject matter.
the bad: all talk, no action.
the ugly: the controversy.
the verdict: 5 flogs to the back.

leonardo da skizzi.

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X-MEN: THE LAST STAND by jaiskizzy

jean grey has resurrected from her watery grave and has turned into the varicose-vein-faced phoenix, posing a new threat to the uncanny x-men team. meanwhile, the homo sapiens have created a cure that would destroy the mutant gene and eventually wipe out the entire mutant race. soon, homo superior will become no mo’ superior. obviously magneto aint gonna tolerate this and so he forms an army against the humans to show em who’s boss. it’s a mutant super orgy down ‘ere in ol’ alcatraz, kid, but alas! still no gambit, ma cheri.

first off, i’ve got to say that i am a comic book uber-geek. i possess quite an extensive knowledge of the comic book universe and everytime i would sit my ass to watch a movie based on a comic book, i’d see what they did right or wrong. to achieve as much realism as it can, the film format has the liberty to alter some of the features of the book it was based on. the trick is to make it work so that us fanboys would care less. i’ve seen several negative reviews of x-men 3 but from my point of view, brett ratner managed to pull a rabbit out of the hat. you see, there’s just too many mutants and naturally too many storylines in the comics and it’s simply impossible to squeeze them all into, say, five movies, even if each was four hours long. in this 2 hour flick, they built a double-plotted story that included enough mutants to please the comic fans and one of the most compelling comic storylines ever: the dark phoenix saga. (sadly, jean grey never really goes all-out flaming dark phoenix… groan) it was good to see beast, done well by frasier; angel, giving me an overdose of wing-envy; juggernaut, played nicely by vinnie freakin jones; and shadowcat, who is doesn’t-comb-her-hair cute. to be able to let them have vital roles and not just as extras is a scriptwriting feat that deserves praise. especially kitty pryde as she, i believe, was most able to put her intangibility powers to good use. a nod also goes to the cameo by moira mctaggert, an important human character in the comics. i also liked the bit part of jamie madrox, the multiple man, despite being at the wrong side. even wronger though is that his powers to replicate cant be done at will. forgiven, due to the slightly faithful costume. didn’t like callisto one bit. or porcupine boy. ugh.

the action scenes were superb, although a bit erratically spread out i think. i’ve yet to see wolverine go berserk but his scenes were great. even if bone-throwing man and limb-regenerating man obviously didn’t stand a chance in the first place. i would have gladly paid more if they had showed him decapitating the sentinel. or berserking through three. i guess the abundance of mutants affected the screen time of the leads. storm, rogue, iceman, pyro, they kinda sorta felt like just passing through. and then there’s mystique… who… um… what a bod! far from perfect, the main mistake of this mutant movie is its pace. i think brett ratner took the rollercoaster formula too seriously. too many ups and downs, which you aren’t really able to enjoy as much. in the down parts when the characters die, they just die. as if the film is hurrying up to get to the next thrill. even the final battle sequence, grandiose as it was, felt like too contained. with all those mutants and their different powers, they could have chosen a wider warfield where they can wreck more stuff. the special effects weren’t exactly very special, awesome, but nothing stood out. good to finally see the danger room. it was also cool to watch magneto doing some city rearranging.

bryan singer may have left the x-men to do superman, but the movie was tossed over to good hands. ratner clearly knew crap about what he got himself into but he mustered enough talent to deliver a flawed but wonderful-enough movie. (p.s. there’s a little twist ending after the credits but it wasn’t shocking as it was supposed to be.)

the good: more mutants, the use of their powers, and the danger room.
the bad: the deaths and the weird pace. and no gambit!!!
the ugly: the gray-skinned dude who had bad breath.
the verdict: 7 cure shots.

skizzy superior.

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SILENT HILL by jaiskizzy

a sleepwalking little girl has been creeping the hell out of her parents ever since they adopted her, saying "silent hill" while asleep. so her desperate mom takes her there to find some answers. what she find instead is the deadest town on the earth where ash falls like snow and roads suddenly crumble to emptiness. the darn kid disappears, and with the aid of a female cop who looks like pink, mom named rose ventures into the eerie streets of silent hill where its scare-you-to-shits season and freak-ass creatures galore. beware the horn! based on one of my favorite games ever because it creeps the hell out of me.

back in the days when i had the time (and the console) to play video games, one of the games i played religiously to the very end was the resident evil series. i always played it with the lights off and i thought that was the scariest game i tingled my spine on. wrong! silent hill came around and gave a new definition to horror gaming. if i wet myself when i get scared, silent hill would have made me flood my room in piss. but getting scared makes me high so i loved the damn game. and now here's the movie based on that game and what a faithful translation to film it was. the film was able to capture the essence of the game's spookiness. once rose wakes up to find herself in silent hill, it felt like she had gone inside the game itself. the atmosphere, the lighting, the set design, the color (grainy grungy and rusty), the shots (i loved the camera angles which were very much like the game especially the top view shots), the scoring (very very much like the game's music! neato!), the pace (every "chapter" would end in a fade out) and of course the monsters. my favorite? pyramid head and his big ass mother-effin knife. now that's one game boss that'll be sure tough to beat! could've worked minus the insects though. then there are those nurses with melted faces blocking rose's way (just one of the frightful scenes that got my lovely companion cringing like a child). them fidgetting faceless nurses were hot! two button-bashing thumbs up to director gans, whom im sure was a big fan of the game as well! awesome job dude!

however (god i hate howevers), this movie was two notches away from perfection. one, the acting. horrible. the only thing i liked about rose was the way she ran, which is just like in the game (which kinda weird actually). other than that, she went flat all throughout. the worst when she did the little speech in the church. yikes! well, i guess the fruit doesnt fall far from the tree cause the kid was just as unconvincing as her mother. especially on evil mode. it's in the eyes, hear me? get someone with evil eyes! the best actor in the whole cast was colin the janitor. and i mean, when rose finds him in the bathroom and he crawls(?) after her. classic. negative number two: the explanation sequence. that one kinda killed the moment. the pick up after that was great, gory great (kid-dancing-in-blood-shower great), but still, they could have done it better than that boring diplay of flashbacks which i believe lasted way too long. also, there were parts where the cgi was pretty bad but i didnt mind. i forgive em anyways, if only for that nice little touch where rose is trying to find the school. in the game, if you were lost, you'd take a peep at the map. well, they managed to incorporate that into the movie in a way. but i guess only fans of the game would find that little detail cool.

finally, a good game-based film. there are loads of video games that would make great movies, all you gotta do is do it right. and silent hill is one example. "mother is god in the eyes of a child..."

the good: basically everything that mirrors it to the game. the feel, the cinematography and the music! oh the sweet scary score!
the bad: the acting. the explanation sequence.
the ugly: the censor's bad cuts. if you're gonna do some cutting, at least get a good editor, will ya?
the verdict: 8 big ass mother-effin knives, baby.

silent skizzy.

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MISSION: IMPOSSIBLE 3 by jaiskizzy

tom cruise returns as imf agent turned imf agent trainer, ethan hunt for another round of ethan hunting. wow. nothing can be more repetitive than that. wow. nothing can be more repetitive than that. anyways, he’s getting married but imf enlists his field expertise once again. a new agent whom he had trained has been kidnapped by by the evil philip seymour hoffman, and his mission, if he chooses to accept it, is to retrieve her. with the help of three other agents, mr. katie holmes embarks on an action-packed adventure that involves a lot of running. a lot. run, ethan, run!

like ive said before, tv was my third parent in my childhood years and the original mission: impossible series (aired on gma7 if im not mistaken) was just one of the many shows that eventually caused my poor eyesight. anyways, of the three m:i movies, to me, part three was the most faithful. as indicated by the title, the missions are seemingly impossible, but they become possible because of teamwork. in the tv series each team member had a vital role (although my fave was the disguise dude) and no one overshadowed no one. in a way, that was exercised in m:i 3, especially on the second mission in vatican city. and, there’s the sleek orange lamborghini and the slick maggie q that made me drool doubles. still, m:i 3 is a tom cruise movie(as well as the first two) and it kinda gives an impression that he never really needs the others to aid him. although tommy did justice to the hero role, i really think he must stretch his acting out of what he’s used to. and is it me or does this movie resemble minority report a bit? anyways, the other thing that made this movie work well like the tv series was the straightforward action. you’ll find none of the “money shot” sequences from m:i 2 here. just run-of-the-mill thrills but kick-ass cool nonetheless (in one mission, it doesnt even show what ethan hunt did in the 5 min deadline he promised). don’t get me wrong, john woo did a good job with that one. but j.j. abrams proved that you dont need flying bikes, slow-mos, and a million bullets to get the job done.

j.j. was able to steer the project in the right direction (2 other directors had abandoned it). the story was played out nicely. he paced the film well, with most scenes done fast and direct to the point, no prolonged dull dragging moments. this was complemented by some topnotch editing. (the opening credits were sweet!) he also put together a great cast, most notably philip seymour hoffman who gave a compelling performance as the menacing but calculated villain named owen(!). thumbs up too to simon pegg (shaun from shaun of the dead) who did great as a realistic, funny, un-robotic tech guy. and of course, the gadgets and the over-all agent activity were cool. but enough with the praises. i have one thing negative to say about this film. on some certain shots, prevalent in the action scenes, the studio must have hired a nearsighted epileptic cameraman. i think these shots were too up-close and too shaky. im sure they wanted to incorporate some grungy style of some sort (as seen in other movies) but seriously, if it makes the viewers nauseous, it defeats its purpose.

mission: impossible iii is a fine follow-up film fans would find fantastic. it’s good that hollywood is giving these younger directors a chance since they respect the material and don’t dally with over-hyping their films and just focusing more on taking the audience on a fun ride.

the good: the pacing and the editing.
the bad: the uber-tight jittery shots.
the ugly: lawrence fishburne.
the verdict: 8 rabbit’s feet.

secret agent double-o-skizzy.

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PULSE by jaiskizzy

Way back in dial-up internet days of japan, there was this obscure horror film entitled pulse. good thing I found a copy. The last few horror films I saw didn’t frighten me at all and Ive really missed that feeling for so long, so thanks to pulse for brining back the fear in me. The self-dialing internet, the weird internet feed, the slow moving shadow thingy, the red taped doors, the wallprints, golly good stuff. But the one thing that was burned into my brain that I’ll never forget the awe I had upon seeing it was the no-cut scene where a woman jumps off a very high industrial building and lands smack on the ground below. Coolness.

The story is complex, and told in an even complexer way, which is great considering most Japanese movies are presented in the same approach, with scenes that seem kinda detached from the flow of the story. Ive gotten used to it so much that I expect it beforehand. An example would be the scene where the computer lab chick and the loser dude go into a train station, ride the empty train, and then go back to where they’ve been. The suicide is also an example of the “detached” scene. No Hollywood or pinoy film has employed this style and made it work. One more thing that separates this movie from the mainstream ones: the lack of screaming. I know, a good scare needs a good scream, but not always, and besides, the blaring blonde bimbo can get annoying sometimes. This movies does away with that cliché and does no harm to the fright factor

Pulse is just one more evidence of the uniqueness of Japanese films. Remakes have been made but they could never really capture the odd visuals and unorthodox storytelling. In a way I think that all Japanese filmmakers had some sort of agreement that all their movies would be done in this manner, no matter how different their movies are, there’ll be this very noticeable “essence” only Japanese films would exude. Good job, guys!

The good: the scared feeling it gave me and the red tape idea.
The bad: no sudden frights, but it’s ok, I guess.
The ugly: the black ghost dude talking about death near the end of the film.
The verdict: 8 white dots.

the skiz.

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BASIC INSTINCT 2: RISK ADDICTION by jaiskizzy

the she-devil who opened her legs and showed the whole world the thing in between them in basic instinct 1: no subtitle is back for more mind games, murder and of course hot humping action! This time around, she’s making her shrink’s life a living hell as people get murdered around him like ducks in hunting season. Whodunit? Whocares?

ah yes. basic instinct. the matrix of r-rated movies. the one that our parents didn’t want us to see back then. but we were able to anyways, and so here we are with this sequel of sorts, expecting the same steam. But nah-uh, Sharon stone disappointed me. first of all, the trailer was misleading. I could clearly remember seeing a scene there that involved one lucky sonomabitch double-teamed by two women. a ménage-a-trois. a threesome. i wanted to see its entirety. but satan knows where it went, it is nowhere to be watched and enjoyed perversely in this film. That and probably a hundred other sex scenes that were omitted in the final cut. Darn. Really, it’s basic instinct dude, why else would I watch it?! Okay, there were a couple of screwings but nothing special went on. plus, they featured the old and wrinkling Sharon stone, and a nobody not worth googling for. Not happy. So the movie basically (hehe) fails to deliver what it is notorious for, and the rest just falters with it.

the dialogue was kinda good though, especially the conversations that went on between Sharon stone and the psychiatrist dude, credit will mostly go to the fine acting from both of them. Ms. Stone was mind-fuck mistress all throughout, talking to her in real life would probably have resulted in me slapping her face or my monkey. The old wrinkling lady’s still got it, I guess. The psychiatrist dude was very very… um, psychiatristic, in a slight qui-gon jinn kinda way. But I think the movie would have worked better if Sharon stone was in a lesser role and some new sexy girl was cast in the lead, with sex scenes in 75% of the movie. Make the new lead Jessica Alba and I’d pay triple.

another case of sequel failing to at least equal its predecessor. Basic instinct 1 had fucking right from the opening credits. This one had fingering in a car running at high speed. I don’t know why they made a sequel to a classic and not try to come up with something to make it as memorable as the first. pussies.

the good: the acting.
the bad: too tame, too lame. What a shame.
the ugly: Sharon stone compared to herself in the first one.
the score: 4 big ben lighters.

the skiz.

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THE HILLS HAVE EYES by jaiskizzy

a family goes on a road trip, choosing the hot california desert over a nice cozy plane flight. they soon learn their big mistake as the car's tires are spiked flat, leaving them stranded in the capital of nowhere. but that is the least of their worries for the area used to be a bomb test site and they have caught the attention of its mutant inhabitants (not the x-men). it's the carters versus the toxic avenger's relatives! place yeerrr bets!

this remake of an old wes craven fright flick was handled by a dude named alexandre aja who made the great gory film haute tension. mr. aja did pretty well with both films, dishing out more than the usual serving of gore and brutality in mainstream horror. in the hills have eyes, there are finger chopping, broken baseball bat stabbing, and an axe to the head, all that in one sequence only. there's also a nice nasty no-blood scene where a mutant dude sucks a woman's titties while aiming a revolver at her baby. and that is after he rapes her younger sister. and thank you to the dog for doing its part in the battle against mutated murderous monsters. a little thumbs up to the cast for putting a good show with such realism, especially the ones that survived, i think i would have done the same thing given the circumstances. that dude with the glasses and facial hair is one tough mother-effer. bastard won’t stay down.

however, this movie lacks one really important horror movie requirement: the scares. there are literally zero scares. no jumping off the seat or quickening of the heartbeat for me. i liked the movie but for me to enjoy it entirely there should be at least something that would give me goosebumps or make me afraid to sleep alone. i guess mr. aja forgot to include that ingredient. anyways, i liked the way how the simple wrong-place-wrong-time scenario branches off into two perspectives: getting the baby back and defending the base, both still about dealing with the vile creatures, cliffhanging you with alternating scenes. the p.o.v. shots were kinda cool as well, the one where a dog leads the baby's father into the tunnel seemed exactly the way it would look in real life, as if actually looking through the actors eyes and not a camera lens.

a decent horror flick not afraid to be ruthlessly gory the way the others aren't. and stress on the decent. another essential horror movie aspect missing from this one: t&a. the hot chick sunbathing in a blue bikini top aint enough.

the good: the gore factor.
the bad: the absence of good old scares and sex and nudity. oh come on!
the ugly: the nuclear fallout freak family. i am a heartthrob after all.
the score: 7 severed arms.

the skiz.

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STAY ALIVE by jaiskizzy

Beta testing an unreleased video game entitled “stay alive”, some dude and his friends die in the same manner their characters died in the game. As a tribute (what?!) his other friends decide to play the game as well and soon enough they too get killed the way they get killed in the game thanks to the blood-bathing bitch countess Elizabeth bathory!

This movie is a case of good premise, bad execution. I mean really, if you play the game and you in the game, you’ll die for real. How can you possibly fck up a cool concept like that? Apparently someone can and did. First mistake was the poorly written screenplay. Every scene was just badly laid out. The dialogue was flat. Plot holes everywhere. When the dead bodies were turning up, the police were like all over the gamers. Then they’re just completely out of the picture. Also, agent cody banks’ unexplained resurrection. And then there is the senseless back story of the lead. Mistake number two was the bad actors. Not the worst ive seen but seriously, it is obvious that they chose to cast unknowns to fit their tight budget but come on, man, at least get some good people. The last mistake would be the pg-13 rating. Why make a movie and call it a horror movie if it doesn’t have anything scary in it, no blood, no gore, no sex and nudity? And to think the video game in the movie is a horror game. Sheesh. Maybe they should have made the movie about text twist instead.

Now, allow me to point out a couple of good things about this flawed flick. The game controller buzz as a scare effect. That was a nice touch. But they should have used more and properly. I also liked the game itself. They should have made a game like that for real. I’d play it. The movie should have made an impression on viewers that if there really was a game called “stay alive” they wouldn’t play it for fear of actually dying (I guess this wont work on me even if they did manage to give off that effect, Im the kind of person who wants a chucky doll and would be happy to sleep with it). Sadly the only impression it made was that it was not impressive at all.

Oh god how I miss the really good scary movies…

the good: the premise. the game.
the bad: the movie.
the ugly: my face realizing the time and money I wasted.
the score: 3 vibrating game controllers.

the skiz.

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ULTRAVIOLET by jaiskizzy

from the makers of equilibrium comes this femme fatale flick that feels videogame-ish and with a plot that goes something like: in a world you may not understand... there are these hemophages, you see, and they are like vampires and they have superhuman capabilities, and the normal humans want them eradicated. violet is one of them, and so she infiltrates a lab and steals the weapon which will supposedly put an end to the hemophages but it turns out it is just a boy and violet decides to protect him against her fellow hemophages who want him dead. ah screw the plot.

i liked the aeon flux cartoon on mtv. i hated the live action aeon flux movie. why? because it failed to capture the essence that made the cartoon great: good storyline, good action. i mean, isnt that what all action movies should have? if you cant have both, at least pump up the action juice to compensate for the flawed plot (because less action and more story aint gonna cut as a good action movie). that's what ultraviolet did. they avoided the usual mistake of sacrificing the action for plot development. with a plot the viewers wont care about understanding anyway, focus on the real meat of the matter right? the shooting, the fighting, the swordplay, the special effects, and it worked for me. not much, but enough to say that it is a better movie than aeon flux. still there were boring moments that got past the cutting room. especially those that only had violet and six in them.

take for example the matrix. why is that movie so good? great story, great action. even when neo's already doing kicks in bullet time, you're still rooting for him out of care. in ultraviolet, from from the moment violet arrived at the lab to the last battle, i knew she'd win. okay, so the sfx were good, she could change the color of her clothes and hair anytime, she defies gravity and pulls weapons out of nowhere and loads her gun with bullets coming out of her wrists, there were some nice gun-kata, but beyond that, there was nothin connection between violet and me. i didnt feel her pain. it was like, she did all of it because she can. not because she has to. the storyline lacked a lot of weight. (a movie with the same condition would be van helsing). in the end, even when they both discovered they were gonna die soon, even after violet cried over the boy thinking he was dead, even when the ending meant hope, you'll easily flush the movie out of your system. no conversations about this movie will ever occur, but if there were, it will be about some of the action sequences, and it wont last longer than five minutes or branch out into deep debates.

ultraviolet = ultravioleNt? nope. visually-appealing but not very impressive. i didnt even use the adjective "cool" anywhere in the previous paragraphs. sheesh.

the good: action choreography. nice for an american film.
the bad: everything else.
the ugly: violet's bangs.
the score: 5 bladed guns.

the skiz.

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THE PROMISE by jaiskizzy

this epic fantasy is about a slave with superspeed running powers, a beautiful princess/royal concubine worshipped by men, and a kick-ass general with a kick-ass armor whose lives are intertwisted by fate in love triangle story that goes a little something like this: general hires slave. general wants princess. general is wounded. general makes slave wear armor and get princess. princess falls in love with slave thinkin it is general. slave falls in love with princess and keeps it to himself. slave, princess, and general decide to get it over with and have a threesome. last sentence not true.

there's a big part of the filipino in me that envies the chinese film industry. whenever you mention "chinese movie", you'd usually think "kung fu" (and when you mention "pinoy movie" you'd usually think "face-slapping", "excessive crying" and "dancing in the beach"). i have seen numerous chinese flicks, and apart from being mostly kung fu, ive always noticed how each film was different from the rest and very well made. shots you never see anywhere else. actors who do their own martial arts and stunts. costumes that belong to a museum. and most of the time, especially in epics, the story just captures your attention. to name a few: storm riders, a man called hero, hero, and the house of flying daggers. the promise (wu ji) falls right into the same department.

what i really liked most about this movie was the fight scenes. hands down, the best yet ive laid my eyes on so far. i couldnt tell exactly whether it was "wire-fu" or cgi. if you've ever seen a sugo episode, you've definitely seen the horrible way they use the harness to show flight or floating. even if the wires have been magically erase through editing (and believe me, it aint easy), you still would actually swear that the guy has wires and people are pulling him up. if sugo is the "how-not-to-do-it", the promise is the "how-to-do-it-perfectly". the early war scene with the general battling a battalion all by himself was a great way to begin this fantasy fight fest. there was also a fight scene near a tree and any wire would have been entangled in the branches but this dude still flies up with ease and then lands with gravity. also, in the villain's hq, a fight scene between the villain and the slave involves razor-sharp fans that the villain throws in the air, continues fighting with the slave as the fan spins around them, and then catches it as if on cue. like i said, whether they did it with wires or cgi, they did it good. the other aspect of the film that makes it work wonderfully was the cast. a lot of credit oughta go to the dude who plays kunlun the slave. for a koreanovela actor, he pulled it off nicely. same goes to the japanese guy who played a chinese general. but my utmost appreciation belongs to cecilia cheung, couldnt have thought of a better actress to play the much-sought after princess (except maybe layla...). she's so versatile and so gorgeous, a perfect choice for the role of a concubine who's mere glance gives warriors a hard-on. she's thinner than the last time i saw her in a movie, but i cant complain. it is only her that surpasses the effects in giving this movie its magnificence(the "kite" sequence alone, i could watch over and over).

an excellent epic i extremely enjoyed.

the good: the wire-fu and cecilia cheung
the bad: the "prologue" which i didnt understand at first. but i guess it's just me.
the ugly: the general in a steamy sex scene with cecilia cheung. lucky bastard...
the score: 9 white feathers.

the skiz.

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OLDBOY by jaiskizzy

oh dae-su is abducted and locked up in a hotel-ish prison for reasons he doesn't know. after 15 years of gas-induced sleep, masturbating on tv singers, and plotting his revenge on the guilty parties, he is released, as mysterious as he was captured, with a cellphone and a load of cash. a stranger calls him, telling him that he has 5 days to find out the whole truth, and with he help of a waitress, he pursues his vengeance spree, unaware of the dreadful conclusion that awaits him.

this film had eluded me for ages since i heard of it. ive gone to many dvd hunts lookin for it but to no success. then, some time in september, i saw an internet article saying that the movie will be screened free at a place called titus-brandsma, but alas! it was on a saturday, i was still on probationary employment with a six-day work week back then and ive exhausted my absences for the month already. and then finally, i have managed to acquire a crisp-quality copy with subtitles, and, as ive said before, the wait was all worth it. the famous one-take hallway brawl scene was as good as i imagined it would be. lots of great camera work. not as gory as takashi miike's movies, but still gut-wrenching enough to make it unforgettable. stunning piece from park chan wook (who directed "cut" from three...extremes). it must have been a grueling yet rewarding experience for the whole crew to come up with a film like this.

there is nudity and sex, but id rather not spill a word about it. actors were perfect, the highest of praises to dae-su, especially in the ending. it'll make you wonder if you'd react the same way in the same situation. this is the most crooked character-driven drama ive seen so far. the "magic" (for lack of a better term) of this movie would definitely be ruined if i say more than ive already said. you'll just have to see it for yourselves. and trust me, nothing you can do to prepare for this wicked ride...

the good: the story. it'll grab you, make you cringe, or shock you to the bone, depending on the kind of person you are. me? i was awed. creeped out, but awed.
the bad: the slow pace, which didnt bother me much, might turn most viewers off
the ugly: just about everything, upon seeing the twist ending.
the score: 10 live octopi.

the skiz.

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THE CHRONICLES OF NARNIA: THE LION, THE WITCH AND THE WARDROBE by jaiskizzy

through a magical closet, four siblings stumble into the ice-laden realm of narnia, fulfilling the prophecy that 2 sons of adam and 2 daughters of eve will come to aid qui-gon jinn the lion in vanquishing the white witch and put and end to her tyrannical rule. let the fantastic cgi war commence!

when i edited the two-mintue-plus mulawin movie trailer for television last year, the cgi didnt impress me at all. well, maybe the dragon looked good but overall, it bombed, for me anyways. then i read somewhere that exodus was boasting of having more cgi scenes than the lord of the rings. that was enough to tick me off with these darn movies. quality over quantity, you morons, and quality with proper usage. in a hilarious review of mulawin (read here scroll down to lupisan), some dude points out how the dragon never really interacted with the real players (and from the trailer i edited, there was this scene of two kid mulawins flying side by side, their wings overlapping. sheesh). when i saw narnia with layla and my sibs, it only stressed my point that no matter how they say that our film industry has come a long way regarding special effects, we're still eating dust from those who are way ahead. so until they could equal the seamlessness of the narnia griffon alone, they ought to shut the hell up.

kudos in big heaps to the geeks who made aslan come to life, and i mean really come to life. that was the most realistic lion animation ever. and apart from the aforementioned griffon, my favorite would be the cheetahs. in the scenes where they're part of the crowd, they were so human, the best cgi rendition of a curious bystander ive seen. then there's the centaurs which are just plain cool. which brings us to the climactic battle that is basicaclly all of these good things multiplied and mashed together in a ferocious fight frenzy. simply breathtaking. cgi is meant to suspend disbelief. we know it's not there, it's not real, but when the cgi is well-done and well-used, you believe for a moment that it is.

anyways, the sfx aint the only thing that made narnia work. although the kids werent very good actors, they did their roles justice. great performance by tilda swanton, the white witch, who played gabriel in constantine. awesome set designs (the ice statues were "cool") and costumes. ive never read a page of the narnia books, but the story was weaved fine in the movie. it's always good to watch a movie meant for kids and like it as an adult. wish i had a magic wardrobe as well. it should open up to the playboy mansion instead though.

the good: primarily, the special effects. those whol'll be making next pinoy sfx-heavy fantasy movie should learn from this film.
the bad: if the potion that santa claus gave to lucy cured all wounds with a single drop, how come edmund still had one on his lip?
the ugly: the scene where they're walking on a rock bridge formation and they get a nice view of narnia. obviously done with a green screen.
the score: 8 turkish delights.

the skiz.

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HOSTEL by jaiskizzy

two american dudes and their new icelandic buddy travel around europe for some double-b fun: beer and babes (and breasts and butts). they are then lured to a hostel in bratislava where gorgeous, hot, horny women await them. what seems to be a wet dream come true for them (and all men) turns out to be a nightmare underneath when suddenly another b word is added to mix: blood. this, friends, is my kinda movie.

easily made the list of my favorite films i keep inside my head. started off kinda slow, but i didn't mind, thanks to the huge amount of t&a (oh yeah). i mean all of it is vital to the story since these guys are lookin for adventure, and i guess it worked cause a part of me desired to try amsterdam out and immerse myself in the same hedonistic activities (only in your dreams, skiz. you are not single...). anyways, so as tipped by some dude through pictures of him burried under female nakedness, the trio head to bratislava and check into a hostel where they have to share a room with strangers. but these strangers have nice tits and soon they've paired off and testing the bedsprings. next morning, the icelander is missing, supposedly he ran off with a japanese chick. (trivia: this movie has 9 different languages and zero subtitles, and holds the record for the most different languages in an american film without subtitles. cool.) you'll just have watch the film or yourselves to find out what follows next because it's a road staight to spoiler zone. only thing i could say is that all that skin baring level is then surpassed by violence and gore, with finger slicing, open chests, and optic nerve cutting to name a few. real awesome juicy stuff. obviously, this movie is very much a guy flick. but im pretty sure some if not many girl would enjoy it, although probably not as much as us men (espcially me) would. but there is one scene near the very end that most if not all girls would relate to: when the girl sees her reflection in the glass and what she does after that. classic.

the cameo by takashi miike (genuflect), who makes movies like this, was so cool, and made him live right up to his reputation. the endind was perfect, (i almost applauded like the audience in the vcd did, only i was watching it alone) the details of which id rather not discuss to avoid spoiling it, so i'll just say the one word that was plastered in my brain all throughout the ending sequence: punishment.

produced by quentin tarantino and directed by eli roth (great work, guys), this fine fucked-up flick's got more gore than you'll ask for. definitely not for the squeamish. and i hope it stays that way when they release it in our theaters because i will watch it again. a truly superb movie. i completely enjoyed every maniacal moment, every mindfuckin minute, and every sadistic second of it. here's to gore noir(term by harry knowles)!

the good: everything. the nudity, the carnage, the plot, the script, the direction. like i said, everything.
the bad: well, just a lil complaint. that blond dude character. what a total wuss...
the ugly: the gore of course! but it is ugliness that's beautiful!
the score: 10 bubble gum chewing street kids. hehe.

the skiz.

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