FLICK PICKS

DONNIE DARKO

"A storm is coming, Frank says, a storm that will swallow the children."

OLDBOY

"Even though I'm no more than a monster - don't I, too, have the right to live?"

ETERNAL SUNSHINE OF THE SPOTLESS MIND

"Why do I fall in love with every woman I see who shows me the least bit of attention?"

FIGHT CLUB

"This is your life and it's ending one minute at a time."

BRAZIL

"Don't fight it son. Confess quickly! If you hold out too long you could jeopardize your credit rating."

6/11/2009

NIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN by obi


SPOILERS!!!

The spoiler...

Several years after the movie's part 1, Larry Daley hit it bigtime as a CEO of his own company leaving the nightguard post in the Museum of Natural History behind.

When the museum closed down for upgrades, some of the display artifacts are sent to the Smithsonian Institute archives in D.C. including the tablet of Ahkmenrah that which turns these objects to life. Triggered by the tablet, the Smithsonian displays are reanimated including the Egyptian pharaoh Kahmunrah and his unlikely allies Al Capone, Napoleon Bonaparte, and Ivan the Terrible.

The ragtag gang plans to rule the world by unsealing the gates to the underworld and summon forth a daemon army. But to accomplish this, Kahmunrah needs the tablet hieroglyphs deciphered! Larry, who breaks into the Smithsonian archives as soon as he is contacted by Jed the miniature cowboy for help, seems to be the pharaoh's only hope to break the code. With his reanimated friends being harassed by the bad guys, Larry had no choice but to work on the tablet, meeting new museum personalities as he go through it.

All the while, Larry's friends from the Museum of Natural History are brewing a daring attempt to get rid of Kahmunrah. They are able to do it in time as the pharaoh has just opened the gates to the underworld... Abe Lincoln's monument swathing daemons back to the netherworld!

With Kahmunrah gone, everything returned to normal in the Smithsonian. Larry brings back his friends to the Museum of Natural History and had it open 24 hours where every past midnight, patrons may walk with the reanimated museum artifacts.

The verdict...
It comes as a surprise to me that I enjoyed this film more than its prequel! And surprising even more is that it's not all about Ben Stiller's performance. He even hardly carry most of the fun stock of the story. I watched this movie expecting to see something entertaining yet won't require me to think too much deeply AND it did not fail me. It was good brainless fun! A must-see for a family outing.

The GOOD...
The new museum characters are a laugh trip... Kahmunrah has a comical lisp, Bonaparte squeals like a chick, and Al Capone and his honchos are in black and white! Even General Custer and the new capuchin monkey have their share of hilarious antics. The old museum characters are still kickin' fun as well. I particularly liked this scene where the miniature Octavius attempted to charge across an expansive lawn, tiring himself for naught (melodramatic and all!).

The entire production is just right. Costume and set design fit what needs to be depicted in the story. Computer graphic works is really creative and done flawlessly.

The SO SO...
Ben Stiller. I think he can't pull off a better-than-average presence in the film. I don't know if its because his script is lackluster or everybody else just outshines him! His female counterpart Amy Adams (Amelia Earhart) is a poor attempt at throwing in a romantic twist. She's exaggeratedly perky for me.

The BAD...
The story is not really impressive. It's developed just for the sake of having a plot to pour the comedy into. So with that, don't expect much depth on it or wish on having lose ends tied up. It's a fantasy story. Things happen, rationally or not. To add to that, the story ending is rushed.

Robin Williams is cheesy.

The rating...
7 of 10.

6/10/2009

ANGELS & DEMONS by obi


WARNING: SPOILERS AHEAD!

The gist...
The symbologist Dr. Robert Langdon has been called by the Vatican to solve a threat by the church's long-dormant nemesis - the Illuminati.

The situation is this:
* The Pope is dead.
* The Conclave of Cardinals is in session for Papal election.
* Four of the top candidates - the preferatti - are kidnapped by the Illuminati.
* A bomb threat is up in the Vatican... a powerful bomb that can wipeout the entire city-state.

The Illuminati will start to murder the kidnapped Cardinals one by one before midnight - the time the bomb is set to detonate. Langdon, starting with a clue from a Galilean book, follows the trail of the culprit around the walled city as the latter sets to accomplish his murder spree. Three dead Cardinals after, the symbologist still hops around the Vatican in a race to make sense with everything that is happening.

As Langdon closes in on the murderer, events unfold that leads to the discovery of the people behind the plot. On a dramatic climax, he saves the last Cardinal and exposes (in a sorry way of tying lose ends) everything that the viewers need to know.

The verdict...
What's outright striking about the movie is the overall aesthetics of the sets and locations. As if on a tour bus racing around the Vatican, the scenes switch from one landmark to another... as quick as the fast paced movie can showcase in two hours. Great cinematography!

The story is a lame excuse for a mystery flick. The development of the conflict is progressive only up to the point where Langdon flew to the Vatican and started nosing around. By the time clues started raining down on the symbologist, all went in a confused flurry of lame riddles and chasing around the Vatican and boring action scenes. I can imagine a more interesting Hardy Boys plot line.

What sparked a bit of interest for me is the same reason why I enjoyed "Da Vinci Code" - the way Robert Brown interlaced facts and fiction and make it seem to have an appearance of plausibility. I love the concept of the Illuminati and the personalities Brown affiliated with it... Galileo, Bernini, Michaelangelo, and Raphael Santi. He could have used the mystery of this clandestine group for a deeper plot line than just being a mask of the Carmelengo's deeds.

I haven't read the book so I can't tell if it was adapted in the movie well. But I have a big hunch it did not.

The acting is cool. The cast is cool. The script lame. Langdon is a walking curator! I mean 80% of the film, he's wise-talking and annotating every single Encyclopedia entry they pass through along the story. Again, I don't know if that's how Langdon's character is supposed to be since I quite remember a different Langdon from the "Da Vinci Code". And I don't mind it either... it's educational! It's just that there are a lot more creative ways of presenting information to readers than directly spoon-feeding.

In all, don't take the story too seriously or prepare to be disappointed. It may appear to have depth in the start but as Langdon starts to crack through the mystery, you'll have this notion that the story is more of an elementary detective novel than a CSI-ish episode.

6 of 10.